{"id":115,"date":"2012-03-14T07:25:30","date_gmt":"2012-03-14T05:25:30","guid":{"rendered":"http:\/\/rami.ybarniv.com\/?page_id=115"},"modified":"2015-09-22T01:42:03","modified_gmt":"2015-09-21T22:42:03","slug":"contents","status":"publish","type":"page","link":"https:\/\/rami.ybarniv.com\/?page_id=115","title":{"rendered":"Contents"},"content":{"rendered":"

Book Contents<\/strong><\/span> <\/span><\/p>\n

Basics<\/span>.<\/span><\/span><\/p>\n

The names and numbers of the five fingers.\u00a0Abbreviations.\u00a0Fingering.\u00a0Marking alternative fingerings in the music.<\/span><\/p>\n

The Five-Finger Position.<\/span><\/span><\/p>\n

Pentascales (five-note scales).\u00a0Intervals.\u00a0Triads.\u00a0Suspension triads.\u00a0Which finger starts a passage or a phrase.<\/span><\/p>\n

Traditional Scale Fingerings<\/span><\/span><\/p>\n

The two groups of fingers.\u00a0Thumb crossing.\u00a0C major fingering.\u00a0The general rule.\u00a0F\u266f minor and C\u266f minor.\u00a0G\u266f minor.\u00a0Summary of traditional scale fingerings.\u00a0Additional ways of remembering fingerings for some scales.<\/span><\/p>\n

Graduating from the Five-Finger Position.<\/span><\/span><\/p>\n

Expanding the five-finger position.\u00a0Condensing the five-finger position.<\/span><\/p>\n

Chords and Arpeggios.<\/span><\/span><\/p>\n

Triad chords and inversions.\u00a0Four-note triad chords \u2013 root position.\u00a0Four-note triad chords \u2013 inversions.\u00a0Triad arpeggios and inversions.\u00a07th chords and inversions.\u00a07th arpeggios and inversions.\u00a0Hand position for scales and arpeggios.<\/span><\/p>\n

Further Traditional, Advanced, and Innovative Fingering Tools.<\/span><\/span><\/p>\n

Blocking.\u00a0Patterns and sequences.\u00a0Figuring out fingering backwards.\u00a0Sliding.\u00a0Changing fingers on a held note (substituting).\u00a0One finger on two or more keys.\u00a0Two or more fingers together on the same key.\u00a0The thumb supporting other fingers.\u00a0Support by the hand.\u00a0Same finger on different keys.\u00a0<\/span>
\u200bRepeated notes with change of fingering.\u00a0Repeated notes with no change of fingering.\u00a0The thumb as a pivot.\u00a0Thumb crawling.\u00a0Skipping a finger \u2013 trills and turns.\u00a0Crossing fingers, other than the thumb.\u00a0Crossing and shifting between fingers 1 and 5.\u00a0Alternative fingerings for some scales.\u00a0Chromatic scales.\u00a0Correlation between simultaneous fingerings in both hands.<\/span>
\u200bRedistribution of notes between the hands.\u00a0Toccata style.\u00a0Crossing hands and interlocking.\u00a0Glissandos.\u00a0Finger pedaling.\u00a0<\/span>
\u200bClusters.\u00a0General advice about technique.<\/span><\/p>\n

Doubles.<\/span> <\/span><\/span><\/p>\n

Trills in double thirds.\u00a0Trills in double fourths.\u00a0Trills in chords.\u00a0Semi-double trills.\u00a0Scales in double thirds.\u00a0Chromatic scales in double thirds.\u00a0Scales in double fourths.\u00a0Chromatic scales in double fourths.\u00a0Scales in double fifths.\u00a0Chromatic scales in double fifths.\u00a0Scales in double sixths.\u00a0Chromatic scales in double sixths\u00a0<\/span><\/span>
Scales in double octaves.\u00a0Chromatic scales in double octaves.\u00a0Octaves with an extra note inside<\/span><\/p>\n

Large-Span Chords, Rolled Chords and Leaping Grace Notes.
\n<\/span><\/p>\n

Breathing.<\/span><\/p>\n

Playing Four Hands on One Piano.<\/span><\/p>\n

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For ordering information please write to<\/span><\/span><\/strong>: <\/span><\/span><\/strong>FingeringBook<\/a><\/span><\/span><\/strong><\/span><\/p>\n

PianoFingering@yahoo.com<\/span><\/strong><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Book Contents Basics. The names and numbers of the five fingers.\u00a0Abbreviations.\u00a0Fingering.\u00a0Marking alternative fingerings in the music. The Five-Finger Position. Pentascales (five-note scales).\u00a0Intervals.\u00a0Triads.\u00a0Suspension triads.\u00a0Which finger starts a passage or a phrase. Traditional Scale Fingerings The two groups of fingers.\u00a0Thumb crossing.\u00a0C major … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":71,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"class_list":["post-115","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/rami.ybarniv.com\/index.php?rest_route=\/wp\/v2\/pages\/115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rami.ybarniv.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rami.ybarniv.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rami.ybarniv.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rami.ybarniv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=115"}],"version-history":[{"count":0,"href":"https:\/\/rami.ybarniv.com\/index.php?rest_route=\/wp\/v2\/pages\/115\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/rami.ybarniv.com\/index.php?rest_route=\/wp\/v2\/pages\/71"}],"wp:attachment":[{"href":"https:\/\/rami.ybarniv.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}